tag:blogger.com,1999:blog-125281702011-09-08T22:49:56.569+08:00a spray can version of metaleptic mimêsisTroy Harrishttp://www.blogger.com/profile/10963299120467501469noreply@blogger.comBlogger31100tag:blogger.com,1999:blog-12528170.post-1117415675022343092005-12-14T17:40:00.000+08:002007-03-01T22:17:05.796+08:00

Abstract: The feel of this text on paper, this page – this "pageantry" is borne on the mythos of a logic applied in mute grisaille tones: a lateral drift of shadowy inscription emblematic of the Peripatetic pigeonhole impulse to which it dares chum up, indeed, and retain the asperity resultant from the battles required to keep from being deposed (Fisher 2007). For 'if darkness implies a lack of

Troy Harrishttp://www.blogger.com/profile/10963299120467501469noreply@blogger.com0tag:blogger.com,1999:blog-12528170.post-1117639270292047552005-12-14T16:11:00.000+08:002005-12-22T15:14:41.086+08:00

1. That is, in ways that admit to its 'function as an art (technê)' (Aristotle Rhetoric: 135a-2, ed. J. H. Freese), 'the special characteristic of an art thus being its comprising a system or method that distinguishes it from simple knack (empeiria)' (note 3, http://www.perseus.tufts.edu/cgi-bin/ptext?lookup=Aristot.+Rh.+1.1.1). 2. From rhetor (gen. rhetoros) or "orator" (see note 3 below),

Troy Harrishttp://www.blogger.com/profile/10963299120467501469noreply@blogger.com0tag:blogger.com,1999:blog-12528170.post-1117523802747251802005-12-14T15:10:00.000+08:002007-03-01T22:18:23.883+08:00

A hypertextual Ulysses. 2004. A hypertextual, self-referential edition of Ulysses by James Joyce, hypertextually edited by Robert Craven http://www.doc.ic.ac.uk/~rac101/ulysses/.Aristotle's Theory of Poetry and Fine Art. A translation of Aristotle's Poetics by S.H. Butcher [London 1907], New York: Dover, 1951.Aristotle's Ars Poetica, ed. R. Kassel 1966. Oxford, Clarendon Press.Aristotle.

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